Crazy Crafty: The Lady in the Tutti Frutti Lamp

Bad taste runs in my family.  For the sake of familial accord at the holidays, however, I'm not naming any names.  But there is a certain relative of my mother's who is notorious for her living room, an unprecedented combination of purple chenille sofas, red-and-orange throw pillows, modernist art in a traditional-southwest palette of peach and turquoise, and reproduction Louis XIV-style chairs upholstered in toile.  It doesn't end there.  Like the shallowing gene pool of European royalty, I am a victim descendant of inbred tackiness.  When my paternal grandparents were alive, they made their home in the desert where "rock lawns" are not an unusual landscape option; they decided to up the ante by covering the rocks in their front yard with a rich, if wholly-unnatural, coat of deep-green, semi-gloss paint - touching up annually or as needed.  Somehow, instead of disdain, I find comfort in my forebears' gifts of eclecticism and spirit of make-do that were certainly a byproduct of Depression-era economics.  wacky tacky courses through my veins.

It should come as no surprise then that I was beside my self with joy when my older brother gifted me a figural lamp in the shape of a woman.  It didn't matter that the lamp came with no harp, no shade, no base, and more than a few nicks and dings.  He couldn't even be bothered to throw down a lightbulb.  No less than ten years later, I have finally made time to give this lady lamp a makeover and allow her to really shine!

This old girl has definitely been around the block.

Fortunately, the wiring was sound, so all she needed was a skirt, a shade, and some TLC.  I had spent portions of the past decade halfheartedly searching for the proper base.  It wasn't until I was making the Put A Lid On It Sun Hat for Mary's Itsy Bitsy Teenie Weenie Matchy-Matchy Rufflekini, that inspiration struck.  I didn't need a factory-issued base; would Grandma have bought new or would she have just made-do?!?!!   All this crazy crafter needed was a sun hat, a glue gun, and a dream!

The chipped paint on her yellowing face and an improper base might turn
some vintage purists away.  I, however, like the character of an imperfect
piece and the challenge of a make-do craft project.

The strapless bodice, opera-length gloves, and hands-behind-the-head posturing all seemed slightly provocative, implying that this was a lamp that could really "turn on."  In researching similar lamps, I found that the earliest examples of this style were really quite demure; the bodies were originally ceramic, affixed on a domed, wire-cage base covered in a fabric skirt (housing another bulb as a secondary light source), and topped with a dainty, ruffled lampshade.

Two views of the lady lamp on Mary Sue's (Reese Witherspoon) dressing table/desk in a
scene from Pleasantville, proving the lamp's provenance goes back at least as far as 1998.

When Underwriters' Laboratories, Inc. took over the patent, they 

began producing this and many other  lamps in molded plastic.

A basic sun hat would become the new skirt/base for the lamp.
To accommodate the cord, I cut the point off of the hat and created a
reinforced hole in the lower side panel where a small hole already existed.

I had the lamp.  I had the foundation for the skirt.  What I was lacking was direction.  Should I go authentic "repro" or should I go full wacky tacky?  Well, it took only two seconds before that question answered itself.  But I still needed inspiration...

wacky tacky, for sure...but I just couldn't get past the inherent va-va-va-voom!!!

"Pardon me, I'm undressed!"

Yes, the pose was saucy.  Yes, the extant examples were ladylike.  Was there a wacky tacky way to split the difference?  To quote wacky tacky icon, Carmen Miranda, "Sim, Sim!!!"  "The Lady in the Tutti Frutti Hat" would become the Lady in the Tutti Frutti Lamp!

An electrified ode to Ms. Miranda!!!
The skirt's ruffles are made of the same sparkling material from which Mary's most recent Happy Holiday Frock
was made (only in the acid-green colorway).  I strung a cluster of beads in an attempt to recreate Miranda's iconic layered jewelry.  I sewed on the puffed sleeves by hand before digging through my basket of whatnots to find
two fruit clusters that I salvaged from a weird pair of thrift store sandals.

 I added some flowers and leaves and fixed the hip corsage to the gold
rick rack trim.  There was already a lot going on but she still needed a topper.

The only item that I had to purchase for this project was the
least-expensive lamp shade that Ikea had to offer.  I, of course,
had to paint it gold inside and out, add a couple of fabric ruffles
bound by rick rack, and finish it off with the matching fruit cluster.

The Lady in the Tutti Frutti Lamp in action with my 1940s
Carmen Miranda Coloring Book (a special gift).  It just so happens
that we, like a million other Americans, have some of the same mid-
century, French Provincial furniture seen on the set of Pleasantville. 

I didn't want to permanently secure the lady lamp to the skirt/hat/foundation; just in case I ever got the 

notion to transform her again, I cleverly stabilized her by attaching the two uppermost layers of the skirt 

to each other and putting a sort of gasket inside the hat.  I love the fact that I didn't touch this lamp for
ten years and all of a sudden I think I'm going to need costume changes!!!

Did I mention that bad taste runs in my family?  No sooner had I started this Crazy Crafty project than my younger brother told me that he had the exact lamp in the exact same condition just waiting for Mr. Tiny's Copacabana Makeover.  It might not be too long before the Lady in the Tutti Frutti Lamp has a twin sister!  In fact, rather than a lamp, I might transform the twin into the most glorious toilet paper cozy that ever was!!!  Ay-yi-yi-yi-yi-yi like that very much!

"The Lady in the Tutti Frutti Hat" - Carmen Miranda

from The Gang's All Here (1943)

"Boa Noite e sonhos doces, você wacky tacky gargantas do peru!"

Cheers!

Mr. Tiny

Crazy Crafty: Return of The Mad Hatter

I have earned the dubious reputation amongst the wacky tacky inner circle for having "visions."  I'll concede that where others might see the ephemeral essence of a dollar-store decoration, I see a vision of a Halloween heirloom.  Where others see the only the utilitarian use of the lid to a candy jar, I see visions of magnolia magic.  Where others see the limitations of an ordinary, household placemat, I see visions of the Land of Oz.  Far be it from me to refer to myself as a visionary, but when it comes to DIY hat crafting, the vision is clear - ignorance to proper millinery procedure is bliss!

The Bat Hat (reworked from a few 99¢ Only Store decorations).
The Sweet Magnolia Blossom (built on the lid of a candy container).
The World's Biggest Munchkin (a manipulated, clearance-aisle placemat). 

For once in my hat-making/trimming career (a resumé line item yet to be fully exploited), I decided to go a completely conventional route by starting with an actual and properly-constructed hat base.  This time, where others would see a souvenir sunhat from Chinatown, I too would see a souvenir sunhat from Chinatown.  I mean...it's a hat.  But in this simple souvenir sunhat, I would also envision a blank canvas just dying for a bit of wacky tacky adornment.  It was time to fire up every man's favorite power tool - the old hot glue gun!

One of the most life-affirming moments one can ever experience comes when all of the supplies required to accomplish a project are already on hand.  One time (more than a decade ago) a friend tried unsuccessfully to teach me elementary crochet, so naturally, I still had a million colors of yarn poised at the ready; the green coordinated well with the fabric I was using to make Mary a playsuit.  Knowing that a giant pom pom was unquestionably the icing on this conical cake, I set about to bind the edge of the hat and make a scarf tie with floral appliqués from the fashion fabric.

When one pom pom won't suffice, opt for pom pom trim (some prefer to call it ball fringe but I am not among them).
Using a range of hues from the rich ric rac inheritance bequeathed by my great-grandmother, I applied a combination of my two favorite embellishments.

I guess that there's no escaping the pom pom.  To achieve the pom pom topper on this hat, I cut thin strips of an African-print fabric (China, Africa, America??? How's that for a multicultural headwear?).  I gathered rows of the
same fabric to make the ruffled stripes and the kerchief tie.

I was surprised to derive nearly as much satisfaction from decorating conventional hats as I do from making them from found objects and repurposed materials.  Yes, this turn at conventional hat decorating was definitely rewarding but I still needed to explore my more unconventional roots.

When I came upon this beauty at the thrift store, I was quick to grab it,
 thinking I was the luckiest mock-milliner in the world to find a hat
worthy of Gidget's sun-allergic best friend, LaRue.  It wasn't until
I saw the plastic liner that I realized it was a woven plant pot.

Adhering to the three-poms-are-better-than-one rule, I choose to believe that this is what the
designers at Hot Dog on a Stick were going for before they settled on their best design effort.

Have you tried your hand at hat making or hat trimming?  Have you found the joy available to you in home pom-pom making?  I have at least one hundred more ideas but I need to wait for Chinatown to replenish their hat supply.  I guess I'll use that time to put the finishing touches on all the matching outfits.  Stay tuned!


Cheers!

Mr. Tiny