Showing posts with label dress. Show all posts
Showing posts with label dress. Show all posts

Sunday, August 11, 2013

Sew What?! A Back-to-School & Back-to-Bavaria Dress

Are you the victim of frequently asked questions?  When meeting new people at a party, do their inquiries usually gravitate toward a particular subject beyond the usual, "What do you do?" and "How do you know the host/hostess?"  Are these unusually-direct questions pervasive no matter the social setting?  From my many observations, Mary is subject to two FAQ's.  "Gee whiz, how tall are you?" And, "Where are you from?"  

Having been born and raised in California (with any cultural or ethnic identity completely bred out of us by previous generations trying their best to be "American"), it never occurred to me that people would think that we were anything but plain, old slices of America's most-tasteless, white bread.  Upon meeting our family, even a few of our now good friends needed some convincing (in the form of government-issued documentation) that we were not of foreign extraction.  It was truly puzzling because I didn't think we looked so very different from everybody else.  We acted the same.   We spoke the same.  For gosh sakes, we had the American flag flying in our yard! 

And then I realized that we were sending mixed signals...

Made with the intention of being a back-to-school dress last year (what, college kids don't get new back-to-school clothes?), this most recently-worn frock is yet another item from Mr. Tiny's sweatshop workshop that was forced to learn to love the deepest recesses of Mary's closet as it watched other skirts, and blouses, and dresses issued reprieve and enter into regular rotation.  Just when it thought it was going to go crazy in stir, this jumper was granted pardon and allowed to leave the dark confines of Mary's wardrobe.  

In making/styling it, I thought that this little number was sort of a nostalgic nod to collegiate costumes of yesteryear.  Seeing it all put together, however, I half expected Mary to be selling schnitzel in the Schwarzwald.

A little corny, a little costume-y, but ideally suited to a night of accordion
music at our local German social club (a lot like the Buena Vista Social Club,
only much oom pah pah-ier), this is simply a dirndl-style skirt with suspenders
 attached to the waistband with buttons.

Corny? Costume-y?  In a way, that is wacky tacky - pushing the boundaries of everyday design ever so slightly for the sake of silliness.

The fabric came from the discount section of one of my favorite local fabric
 stores where the only rotation in stock occurs when someone finally buys
 the remnants.  I'm convinced that some of the material is older than I am.

Our accordion nights are always progressive in nature; we make our way from bierstube to banquet hall, invariably ending up at the Thursday night ballroom dance.  There is a cover charge that we always seem to avoid by being the youngest people in the room by at least fifty years.  Last time, a woman, whom I later found out was the onsite ballroom instructor, credited me with being "a natural."  You'd better believe that "Old Twinkle Toes" over here has been lording that over people's heads ever since!

Barefoot on the ballroom floor
Always a class act!

As it turns out, we do have German ancestry so it is no wonder that we get on so well at the German Club; Mary practically blends right in.  And at least, for one night, her FAQ's varied from the typical height/nationality variety.  In fact, in her back-to-school/Bavaria get-up, she learned pretty quickly how to answer, "Can we get another round of beers over here?" and "May I please have a pretzel?" in her most elementary German.  "Nein!"


Cheers!

Mr. Tiny

Saturday, July 27, 2013

Sew What?! What's Black and White and WILD All Over?

There are two kinds of people in this world, Wanda Jackson fans and Janis Martin fans.  Although, perhaps it is too strong to characterize it as an issue of mutually-exclusive preferences.  Speaking in generalities, however, most folks familiar with the music of both artists fall firmly into one category or the other.

Wanda vs. Janis
Whose side are you on?
(clink on images for a link to the source)

In all honesty, I happen to enjoy the music of both performers but if I had to choose, without question, the choice would easily be Janis Martin, "The Female Elvis."   I just prefer her mellow, smooth, country-tinged voice to Ms. "Queen of Rockabilly" Jackson's well-known, raw, box-grater-in-a-blender vocal stylings.  

The disappointment I experience over never having seen Janis Martin perform while she was alive is only assuaged by the fact that musicians, like Mary, are carrying on her musical tradition.  In keeping with the style and tone of Janis Martin, I made Mary a dress that is, to coin a new phrase, a little bit country and a little bit rock 'n roll. 

To call this the "latest" from Mr. Tiny's workshop would be an out-and-out lie.
This dress has been in the back of Mary's closet for nearly a year waiting to
make its debut.  Luckily, the opportunity arose last weekend in the form
of Wild Records' Young & Wild Weekender.

Very much channeling the young Janis Martin

Don't you think?

More often than not, I stay away from a black and white color scheme.  For one thing, it becomes a trite and hackneyed story amongst a sub-culture dominated by an obsession with the pre-color-television world.  For another, I just prefer sewing in interesting and vivid colors and, in general, Mary prefers wearing them.  Though when we found this fabric, we new it had major possibilities.

Made from a screen-printed, brushstroke, border print cotton that I picked up
for only $0.99 per yard, Mary said the dress was a hit!  I turned the black border
 to the top of the skirt and the bottom of the bodice so that the brushstrokes
radiated from the waistline.

Wearing black, baby doll pumps and black & white bangles,
Mary added the black, cowhide belt for western flair.

The Fujiyama Mama & Mary
Wait a cotton-pickin' minute...

Okay, okay, so as usual, I may have overstated my case just a tad.  Maybe it isn't such a black & white issue; there might be room in this world for folks who truly are fans of both of these legendary performers...even though legend has it that Wanda and Janis were pretty bitter rivals.

Putting rivalries aside, this dress is a kind of hybrid of the sweet, rockabilly darling (demure, tea-length full skirt) and the raging, rock 'n roll wild child (stark color story and brushstrokes printed with apparent abandon).  It bridges the gap between the "Female Elvis" and the female Elvis took out on the town.  

The very same guitar with which Mary is pictured above (one on
 which she played a couple of Janis Martin covers) is signed by
none other than Wanda Jackson.

Well, what do you say?  Between Wanda and Janis do you have a favorite?  Is there another female, roots rock 'n roller that strikes your fancy?  Do you create such elaborate and/or polarizing interpretations of the clothes you make and/or wear?


Cheers!

Mr. Tiny

Monday, March 25, 2013

Sew What?! A 1930's Garden Party Dress

Wedding season has descended upon us and frankly, I couldn't be happier!  No pressure, but anyone out there who is presented with the opportunity to get married and invite me as a guest, is strongly encouraged to do so; I'd be overjoyed to attend.  Call me nutty, but even for someone so very unattached as myself, weddings give my romantic nature a boost and fill me with hope. 

You probably saw that we were fortunate enough to attend our friends' gorgeous Catalina Island wedding last weekend; this weekend, we were treated to yet another wonderful wedding for our pals, Rob and Ashley.

Rob & Ashley

Situated high atop a verdant hill in Glendale, California's renowned Forest Lawn Cemetery (the site of many celebrity nuptials and many celebrity resting places), the Church of the Recessional was ideally apropos for a couple who has long been noted for their Hollywood high style.  Because they are such a fashionable pair, it only seemed fitting that I create yet another dress for Mary that was suitable for the occasion - a church wedding with an afternoon, garden party reception.


Knowing that the prevailing style of the day would be 1930's and that I had a fittingly Depression-era budget ($0.00)/little time (a week)/an unholy amount of unused material (three hoarders' worth), I did a cannonball into my giant mountain of fabric neatly organized stash and selected a few possibilities.

I ended up choosing an all-over floral print fabric that I had earmarked for a 50's-style day dress; I was mildly hesitant to use it as I was afraid it would read as a weird pastiche of conflicting influences.  On the other hand, it went fortuitously well with the heirloom, pansy brooch from our great-grandmother and the stunning, vintage hat.

Mary's vintage hat came from our favorite, local vintage store, Swellegant Vintage.
One of the hat's beautiful bunches of pansies  - Mr. Tiny likes vintage millinery flowers more than he ought to!!!

Mary & Jennifer (last week's bride)
The dress was appropriately ladylike but still held up to all of Mary's shenanigans.

Benny (last week's groom) & Mary
Honestly, they're even more like brother and sister than Mary and I.

We were elated to see our good friends, Lauren (Wearing History
 Patterns
and blog) and her husband, Matt (a dapper groomsman).

The dress, with its eight-gored, tulip-shaped skirt, attached capelet, and neckline bow (can
 you tell that I am crazy for bows?) was finished by a self-fabric belt with a green,
 vintage buckle and green, vintage gloves.  The reception was held at the indescribably-beautiful,
home (built in 1907) of friends; if I was a better photographer, I would have captured
more of its endless charms.  Mary inspects the beautiful flowers as designed by LA Deco Flora.

 During the garden party, however,  I was able to capture all of the garden flowers in full bloom.

At the end of a lovely party, the bride bid us goodbye in her custom-made farewell frock.

Congratulations to Rob and Ashley!  We hope that you continue to find all the fun and frolic that life affords you.  Thank you for letting us celebrate your new life together as husband and wife!  And thanks for another great weekend of celebrating the only thing that truly matters, namely L-O-V-E.

"L-O-V-E" - Nat King Cole


Cheers!

Mr. Tiny

Saturday, March 17, 2012

Sew What?! St. Paddy's Day Special: My Pretty Irish Girl

June Haver wishes you Good Luck!

Happy St. Patrick's Day everybody!  Mr. Tiny is currently laid up, so no Irish escapades on the docket for today.  The little sis, on the other hand, was invited to a very special wedding shower for our friend Dollie DeVille.  Since the shower was booked for March 17, Mary needed a frock suitable for both a daytime shower and St. Patrick's Day.

My obsession with classic films once again came to the rescue when I pulled from the fabric stash a fabric envelope full of curtain panels.  

The Von Trapp children in their curtain clothing

The Scarletts in their finest drapery duds.

Inspiration via The Sound of Music, Gone With the Wind, and even The Carol Burnett Show coupled with a single, discounted, curtain panel from Anthropologie gave me enough of a head start to create a new dress for Mary.

Mary has it styled as a late 40's-early 50's day dress with
matching basket purse!

As with all of my best-laid plans, the idea to take some nice photos of the dress in a more verdant atmosphere was foiled by the rain we're experiencing today.  So all we got were a couple of snapshots in the kitchen!

A close-up view of the green, rose print

Beyond the color of the print, I felt like I was a bit of a "greeny" after making this dress and purse.  Firstly, I recycled; the dress is made out of just one reused curtain panel.  Secondly, I used every part of the animal - you know, like the Indians.  The curtain had an attached valance piece with pom-pom trim that I used for the purse.  As I mentioned, the curtain panel came in a fabric sleeve/envelope with buttons which I used to make rosettes with button centers to further adorn the basket purse.  

Mary was not taking her modeling job very seriously.
I think she was upset when I told her that there was no
way she was going to get pinched with that much green!

We are not Irish, but there was no telling that to my Swiss & Yugoslavian grandparents.  They gave all of their children good, strong, Irish names like Jeffrey Logan and Patrick Joseph.  They also raised us on films like The Quiet Man and Darby O'Gill and the Little People.  Therefore, no St. Patrick's Day is complete without hearing Sean Connery sing to Janet Munro.

"My Pretty Irish Girl" - Darby O'Gill and the Little People


The prettiest Irish girl that ever was or ever will be is Maureen O'Hara.  For me, she tops the list of the most gorgeous and fiercely feminine women to have ever walked the planet.  After working together on the movie, Dance Girl, Dance, Lucille Ball was quoted as saying that she thought O'Hara was the most beautiful woman in the world.  I like her because she is beautiful, yes, but also because she is strong and full of character.

(Source)
(Source)

“Being an Irishwoman means many things to me. An Irishwoman is strong and feisty. She has guts and stands up for what she believes in. She believes she is the best at whatever she does and proceeds through life with that knowledge. She can face any hazard that life throws her way and stay with it until she wins. She is loyal to her kinsmen and accepting of others. She's not above a sock in the jaw if you have it coming.”
― Maureen O'Hara, Tis Herself

The feisty, Irish temper could be the most attractive piece of the puzzle!
(Source)


Cheers & Happy St. Patrick's Day!

Mr. Tiny

Thursday, January 5, 2012

Sew What?! The Most Beautiful Woman in Puppetland!


The Pee Wee Herman Show (1981)

Very rarely is my inspiration formed exclusively out of whole cloth.  Even when I create something that I think is unique and original, it usually has its foundations in something or someone from which I have derived great pleasure and amusement.  Subconsciously, Miss Yvonne from Pee Wee's Playhouse has become more than an inspiration, she has become a muse!  I hadn't considered this reality until I saw a picture of the dress I made Mary for Christmas...

What do you think?  Miss Yvonne 2011, no?
(Photo courtesy of The Rockabilly Socialite)

The one and only Miss Yvonne
(Source)

The exaggerated, late 50's/early 60's cupcake styling, the
"on the nose" Christmas motif, the gleam of crazy in the eyes -
 individually, these traits could be traced to any
 source but together, they all spell Miss Yvonne!
The dress is made from a vintage, polished cotton and a vintage tablecloth with red sequins.
(Usually, I refuse to cut up vintage wares but this cloth was beyond repair or use as such).

Lynne Stewart is the actress who portrays Miss Yvonne.  As funny and talented as I think she is, it is not Lynne Stewart who has permeated the recesses of my creative subconscious, it is Miss Yvonne.

Pee Wee's Big Adventure (1985)
I even like her as a nun, but where is the hair?
Where is the crinoline?

Many times in the history of this blog I have made mention of Pee Wee Herman and his supreme influence over my childhood; it is from him that I learned the fundamentals of wacky tacky.  It is from Miss Yvonne, however, that I learned about beauty.  After all, she is "The most beautiful woman in Puppetland!"


Cheers!

Mr. Tiny

Monday, July 18, 2011

Sew What?! Jessica Stopnik Photography and a dumb ol' dress...

Whenever I shirk my blogging responsibilities, I always wonder why I have become so lazy.  I think the reason is the season.  This summer season I feel like I have been pulled in so many directions; the consequence -  a marked drop in energy.  What  little energy I have left has been directed more towards the sewing machine than the computer and - as the sensible young gentleman that I am - I can only mind one mistress at a time.  

Initially, this blog was simply going to show you a recent project on which I've been working, but when the kid sis and her boy showed me the amazing pictures they had taken by the very gifted, Jessie Stopnik of Jessica Stopnik Photography*, I decided that the emphasis should really be placed on her skill and artistry over my measly joining together of some crummy scraps of fabric!

Mary wears a 40's-style dirndl with puff sleeves, eyelet and ribbon detailing
 with a patch pocket and self belt of a reproduction, floral-print feedsack.
Her topper is made of layers of looped ribbon affixed to a buckram frame.
(photo courtesy of Jessica Stopnik)

Mary and Chris sitting in a tree, K-I-S-S-I-N-G.
I just have to pretend she is not my sister so I can appreciate the charm of this photo.
(photo courtesy of Jessica Stopnik Photography)

This is a beautiful photo - Jessie amazes me every time!
(photo courtesy of Jessica Stopnik Photography)

You might remember Jessica's photos from our post, wacky tacky Goes to the Prom.  She does far more than just sweet photos though.  Unlike myself, she is a master of capturing light.  Unlike me, she understands the importance of place and composition.  I cannot explain how much I love her photos.  I think, like most people, I am in awe of a talent that I will never possess.  You can see the variety of subject matter on her blog, but I thought I would treat you to a few of my favorite Jessica Stopnik photos.

(photo courtesy of Jessica Stopnik)

(photo courtesy of Jessica Stopnik)

(photo courtesy of Jessica Stopnik)

(photo courtesy of Jessica Stopnik)

(photo courtesy of Jessica Stopnik)

(photo courtesy of Jessica Stopnik)

Be sure to visit Jessie's blog, and like her on Facebook - you won't be sorry.  Jessica is a budding artist and is a great resource for fashion shoots, family photos, weddings and more!

*All of the photos included in this post are the property of Jessica Stopnik Photography.  Please do not reuse these images without her consent.

jessicastopnik.blogspot.com


Cheers!

Mr. Tiny

Monday, April 18, 2011

Sew What?! wacky tacky Goes to the Prom!!

"Gee, thanks Skip!"

Prom season is upon us!  At this point in my life, I feel much closer to the type of "senior" prom where octogenarians are given a corsage/boutonniere and wheeled out to the multi-purpose room to listen to a Glenn Miller CD.  Despite the disturbing feeling that on the best of days I have the emotional maturity of a 12-year-old, I have recently reached the 30-year mark and realized that I have crossed the threshold into being "old."  Any rationally-thinking person over my age would scoff at the notion that thirty is old.  I quite agree but "old" has been thrust upon me by a younger generation who, out of sheer obstinacy in my opinion,  refuses to understand any of my pop culture references.  Moreover, when they are aware of said references, they insist on thinking of them as novelties of a simpler time.  Only a short time ago while driving, my teenaged sister's teenaged friend asked if I had ever heard of a particular "old" (there's that word again) band.  Who, I wondered.  Herman's Hermits?  No.  Buddy Holly and the Crickets?  Guess again.  The Paul Whiteman Orchestra?  Not even close.  My horror when he uttered the words Stone Temple Pilots was disguised only by the tissue-thin veil of my own uncomfortable laughter.  As I righted the steering wheel to keep the car from swerving off the road, I thought "Was it so long ago that 'Plush' was in regular rotation on the radio?"  Without my permission, I had become the old guy in the car (only magnified by my desperate search to find a station playing an STP song). Without my knowledge, I had jumped from youthful to elderly simply by my overwhelming desire to shout "Slow down you hot rodder!" at passing cars and "Do we all have to listen to that?" 


Again, aside from the occasional complaint about my ability to feel barometric changes in my knee, I don't feel old.  Nevertheless, I am reminded of my unavoidable march toward AARP qualification by these kids.  Mary, a high school senior who challenges my references to Who's the Boss? and Mr. Belvedere with a completely-genuine blank stare, needed a prom dress.   The very fact that my thoughts about her attending her senior prom included "Wow, it seems like she was just in kindergarten," really cement the fact that maybe I have become old.  Her dream dress - one of those frothy, draped-chiffon numbers that epitomize 1950's formals.  I appreciate dresses of that sort but I had to be perfectly honest with myself; draping and chiffon are well beyond my skill-level.  In contemplating design ideas for her dress, I decided that I would share a few photos of prom seasons past as well as my finished product. 

The Promenade
Fifties Formals

A charming couple
Apart from the fact that this photo makes me laugh, I really
like that white dinner jackets seemed to be the order of the day.
Wishing I was there.
I shouldn't say this, but is there anything better than the solo Prom photo?
Perfect
Where are they now?
This appears to be an ad more than
a candid photo but it sure looks good.

I'm sure at some point in history, home-sewing was a far more economical option than purchasing ready-to-wear garments.  Now, I suppose, the value in home sewing is determined by custom fit and unique style.  Even though I am overwhelmed by a mountain range (yes it has gotten that bad) of material, thread and notions, it still seems that no matter what project I undertake,  I still spend lots of money on finding exactly what I need to finish.  This prom dress was no exception.  I already owned the lace but due to my forgetful nature, it took at least three expensive trips to the fabric store to get everything I needed.  Overall, I like the way this wacky tacky dress turned out.  It has the distinctive flavor of a 50's prom dress and suits Mary to a tee!

Mary and Chris look lovely surrounded by a field of yellow wild flowers.
Our talented sister-in-law made Mary's wrist corsage and Chris' boutonniere
and did Mary's make-up.

Gettin' the party started early!!
Mary wore her vintage crinoline.
I really like this one.

The under dress was made of ice-blue taffeta with boning in the bodice and the overdress was made of dusty-blue lace.  The gathered, two-tiered skirt was supported by Mary's vintage crinoline and horsehair trim.  I made a corsage of satin ribbon, a lace remnant and miniature blue roses.  The shawl was of the same lace and I cut away the excess material around the flowers to create a "fringed" edge.  Mary wore a combination of heirloom/costume and contemporary jewelry.  Chris wore a vintage 1950's suit and tie.

The backside of Prom.
All I know is that my prom photos didn't look this good!!  All of the modern prom photos are courtesy of super-talented photographer Jessie Stopnik at jessicastopnik.blogspot.com - be sure to check out her blog and contact her for all of your professional photography needs.

Cheers!

Mr. Tiny