Showing posts with label interior design. Show all posts
Showing posts with label interior design. Show all posts

Monday, August 5, 2013

The "Early American" Revolution: A War for Mid-Century Independence

When imagining the living rooms of the quintessential American TV families of the mid-20th Century - The Cleavers, The Mitchells, The Stones, The Williams, The Baxters, et al - one would be hard pressed to find in that dreamscape of design a starburst, an amorphous coffee table, a George Nelson timepiece, a Barcelona chair, or anything even remotely resembling an Eames' design.

Speaking of seminal television families, what about the Ricardos?
With its braided rugs, wide-plank floors, and traditional furniture, 
Lucy & Ricky's country house was anything but "Mid Mod."

Maybe it was a conscious effort on the part of ultra-conservative television executives to pretend that American domesticity skewed decidedly toward the traditional OR maybe it was art imitating the reality of life.  Perhaps, if I may dare to conjecture, the design movement generally referred to as "Early American" was far more prevalent than the atomic shapes, patterns, and colors that abound in contemporary iterations of mid-century design schemes.  Speaking only from the experience of a) having two sets of grandparents with houses full of reproduction windsor and ladder-back chairs, turned-wood four poster beds, colonial secretary desks, and classically-styled spinets and b) seeing a glut of similar merchandise in resale establishments, garage/estate sales, and thrift stores far exceeding the availability of their "modern" counterparts, it seems as if "Early American" might have a had a larger audience than our romantic notions of popular culture history might have led us to believe.

Encountering this article in the November 1951 issue of Better Living Magazine, I was reminded 
of how strong a movement "Early American" design was.  So strong in fact, that the article just
 takes the major elements of the room for granted.  Not wasting a word on the paneled wall, the 
brick hearth with traditional molding and mantlepiece, the camelback sofa, the tilt-top tea table, 
the brass candlestick lamp with gilded eagle, the wingback chair, the hobnail glass, the chintz
 upholstery, or the classical symmetry of it all, the author focuses exclusively on the color 
scheme - red, white, and blue.

A patriotic color palette was indeed a unifying theme among Early American interiors, commonly accented by yellow and gold.  Other recurring elements included the use of metal accessories (copper, brass, pewter), mass-marketed reproductions of 18th and early-19th Century furniture, indications of primitive crafting (needlepoint, braided rugs, etc.), and electrified, antique light fixtures.

Pewter mugs hang above the hearth in a colonial blue room lit by a
counterweight desk lamp as the milk pail turned side table is under
 the ever-watchful eye of that EAGLE!
(Source)

My grandparents always had an eagle hanging in their house (usually
above the doorway) and it is one of the things that I have kept since
their passing.

I'll admit it, sometimes I get sucked in by the glamour of blonde wood and mobiles and starbursts and boomerangs, but I'm kind of hokey pokey at heart and I love the comfort and nostalgia of 1950's-does-1780's.  So much so, that I try to encourage other people to participate in these anachronistic design choices with me.

After visiting Mt. Vernon, I learned that brightly-painted woodwork was actually a
hallmark of Early American design.  The mid-tone wooden furniture, the rag rug,
the hardware on the doors, the wall sconces, and the saturated, coral-red paint are
 evocative of the early American spirit.
(Source)

But the battle is mostly uphill.  It took a lot of convincing to get my sister-in-law on board with the incredible, 1950's, Ethan Allen, sleeper sofa that my brothers and I found at a thrift store for $12.50!!!  Its beautiful red-and-blue plaid upholstery, wood trim, high back, and turned-wood spindles, were so contradictory to the streamlined, low-profile silhouettes of its contemporaries that it just seemed downright un-American  In actual fact, it screamed "Early American" so loudly, that we thought it was going to start another revolutionary war.  She quickly changed her tune when I found an Early American side table with a built in lamp fitted out with hurricane glass and one of those glorious, fluted/ruffled, fabric lamp shades.

My very favorite is when the two worlds, Early American and Mid-Century Modern, collide; in my travels I often see that ubiquitous icon of mid-century decor, the two-tired end table, executed with turned-wood legs and spindles and a scrolled apron.  The mash-up of competing styles is pure magic.

The barrel chair with turned wood spindles at the secretary, the red wingback, the paneled walls, the floral upholstery, the exposed ceiling beams, the braided rug, the tea service, and the brass light fixtures all speak to colonial America.
Nevertheless, you couldn't fool anyone into actually believing that this was a colonist's residence; it is early America viewed through the prism of post-War, patriotic nostalgia.  I love this room!

Having just defeated the enemy, America was on a post-WWII high, fueled by extreme optimism and unbridled patriotism.  That heady combination just might be the reason for the broad embrace of the stylistic elements of colonial America.  U-S-A! U-S-A! U-S-A! (Are you chanting with me?  Hahahahaha!!!)

Early American print on Barkcloth
(Source)


Sometimes rustic, sometimes refined, the Early American style wasn't just limited solely to sitting rooms; kitchens (don't you love those black strap hinges and Early American Pyrex?), bedrooms, and clothing trends were subject to the influence as well.  As a matter of fact, even eateries capitalized on the success of the colonial craze (see our coverage of  Colonial Kitchen in San Marino, CA).


The breakfast nook of an Early American style kitchen
(Source)

Mid-century/Early American style
serving tray from my collection.

Better Homes and Gardens - April 1951

So which do you prefer?

Colonial Casual?
(from my copy of Better Homes and Gardens - April 1951)
Or Federal Formal?
(from my copy of Women's Home Companion - April 1952)

Given that much of Early American design is rooted in tradition, it seems counterintuitive to highlight it in a wacky tacky post.  However, I think that amongst the current old-timey set it is so positively subversive to be such a fan of "Grandma Style" that it fits well within the realm of wacky tacky, don't you?  Sacrifice mirrored shadow boxes and boomerang coffee tables for wingbacks and decorative butter churns???  Oh, the horror!

Well, does the Early American style remind you of mom or grandma?  Do you think that there is a reason this style goes unappreciated?  Is it best forgotten?  I wonder if this style (along with other American exports of the time) became fashionable in other countries.  Non-US readers, please feel free to weigh in on the subject!


Cheers!

Mr. Tiny

Tuesday, October 25, 2011

Thoroughly Modern Tiny

All that spaghetti and just one meatball.

On a recent - and increasingly unusual - free day, we headed up to the Los Angeles County Museum of Art (LACMA) to see California Design, 1930-1965: "Living in a Modern Way", an exhibit of everything modern from California in the middle part of the last century.  I am not sure who curated this exhibit; it was rather small and a little scattered, but it suited the wacky tacky sensibility quite well.  I must say, I felt a guilty satisfaction as we strode by the hoards of folks lined up to see the Tim Burton exhibit.  The feeling quickly changed to pure excitement when we walked into the gallery and came face-to-gleaming-face with this 1930's Airstream trailer.

Sadly, we couldn't get close enough to get photos of the interior.

"Take it easy!"

From automobiles to clothing to plastic pitchers, the exhibit was composed of everyday objects.  It was great to see utilitarian pieces transformed into something artful; of course, these objects were allowed an elevated level of distinction because of the setting and thoughtful installation.  It seems, however that mid-20th Century California was such a great time/place for experimentation in form and function.  Consumer products of previous eras, however artful, seemed to be exercises in adornment and decoration.  "Modern" designers, however, had the freedom to play with color, line, shape, material, texture, and even ergonomics.


I actually have a few pieces in this pattern...I might have to start my own museum.

A stellar light fixture/mobile

I loved this bookrack/lamp that diffused the
uplighting by way of the suspended moon pendant.

Before I took any photographs in the exhibit, I asked one of the docents if photographs were allowed.  He responded in the affirmative and warned me against using the flash.  When I approached the "Eames House" (a full-scale, case study/diorama), another docent practically tackled me to prevent the photo I was snapping.  Sure, she was 5'2" and an AARP member in good standing, but she was fierce!  Fortunately, I captured the shot before she tried to confiscate my camera by slamming my face into the concrete.

The "Eames House" - a forbidden photo.

I loved seeing the 1962 Barbie Dream House immediately after the Eames House.
It was a great juxtaposition of highbrow and low brow -cerebral design versus everyday living.

How could one avoid being vain seated before at a vanity of this magnitude?

I have a thing for chairs.

A great desk from 1947

Yep.

This 1930's era "Airline Chair," named for its aerodynamic lines was an IKEA forerunner.
It was mass produced and sold "ready to be assembled" by the consumer.

One of my favorite items was the Eames, bent-wood, toy elephant.

Every day objects were also included in the exhibit - radios, clocks, flatware, ray guns...
RAY GUNS?!?!?!
The "ray gun" (top-left) is actually an Opco Ice Gun, a personal ice crusher from 1935.

I saved my favorites for last.  I am a sucker for textiles and clothing from my favorite period in history.
I would like to order at least 10 yards of the hand-printed sombrero fabric from 1941.
  


Western wear!!!
I love western wear whether it comes from the 1930's (the dungarees and silk rodeo blouse on the left) or the 1950's (the ensemble on the right).

These 1940's hostess pajamas are indescribably cool.
Everything about them is pitch-perfect modern -
the color, the cut, the fact that the hostess is wearing pajamas!


The exhibit featured some incredible swim & play suits as well.




The his & hers lobster bathing ensembles by Catalina Swimwear (1941) were a highlight.


Some of my favorite items include this printed dress and this amazing, gathered, green-chintz, tiered skirt and midriff-baring top trimmed in white ric rac...that was actually A BATHING SUIT!!!  Coincidentally, Mary thinks a recreation of this ensemble should be my next sewing project. Hmmmm?

The Cole of California creation


Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA
(323)857-6000





"California Design" runs October 1, 2011 through March 25, 2012.


Cheers!

Mr. Tiny