Sew What?! Putting the "WOW" in Pow Wow!!!

Yipes!!!  Two weeks sure flies by when you are not having any fun.  Okay, okay, I had a little bit of fun but mostly my head was down, toiling away at my latest hat-making venture and preparing for the Tiny & Mary performance at the Charles Phoenix Wig Wam Pow Wow (much more on that to come).

I was flattered when Charles asked me to bring as many hats as I could muster to sell at what is sure to become a signature event for him.  Depending on Mary to be a walking advertisement for my pop-up hat shop, I had every intention of making her some thematically-appropriate headwear - and leaving the rest of her outfit in her hands.  Oh, the best laid plans...

The custom TeePee Topper!
Inspired by the paint scheme of the earliest Wig Wam Motels, I recreated the iconic
serpentine stripe with red ric rac.  I painted dowels for the tent poles and gathered a
Marimekko remnant as a stand-in for the planter that surrounds each wigwam motel room.

Unfortunately, when one makes such a specific accessory, the fundamental elements of a coordinating ensemble are somewhat elusive.

Digging through the fabric stash, I was surprised to discover just two
scant yards of a Native American novelty print, featuring, flowers,
teepees, horses, and warrior braves.

Completely unaware of the fabric's origin, I almost sent it back to the bottom of fabric mountain for its lack of sophistication and unrefined design.  However, if lack of refinement and sophistication immediately consign one to the bottom of the heap, I would never be allowed in polite society.  Denying the natural hypocrite within me, I intended to make the most of this fabric.

This is much more indicative of what my sketch pad looks
like than some of the other illustrations I've shared.  A small
amount of time and a small amount of fabric meant that the
outfit would need to be equally brief.  Weary of making bra
tops, I made a simple play suit consisting of a cropped peasant
top and a short, gathered skirt; I used every inch of that material!

Accessorized with just a few red bangles and a '68 Cadillac Coupe de Ville,
Mary and Fabian took the outfit and the car out for a spin!

I guess we won't be winning any awards for cultural sensitivity with this one, but we consider the outfit and the Wigwam Motel to be true celebrations of Americana!  Have you ever slept in a wigwam?


Cheers!

Mr. Tiny


p.s. Put A Lid On It Sun Hats from Mr. Tiny's Workshop will be listed soon!

Sew What?! Mexicali Folk Couture

For no significant reason whatsoever - besides the life-spice that is variety - I am always reticent to put two posts of the same category one immediately after the other.  In this instance, however, an anxiousness to share the beautiful fruits of a successful group effort has me abandoning my stance and bringing you a very special "Sew What?!" 

My mentailty in design is best diagnosed as schizophrenic; one day I'll be appliquéing an angel fish silhouette to a beach ensemble and the next day I'll be hemming a bias-cut evening gown or sewing pom-pom trim to the hem of high-waisted capri pants.  Were I ever to create a cohesive collection, I know that the inspirational through-line would be found at the intersection of ethnic and bohemian fashions - a little corner that I like to call "Folk Couture."

Transcending time and place, the richness, simplicity, and

femininity of folk couture are the true heart of my favorite looks.

Just to prove that we aren't afraid of trying something new, we decided to collaborate with our good pal, Fabian Fioto (remember that name), to see if we could elevate my humble stitchery to something a little more refined.  With no particular destination in mind, we loaded up Fabian's '55 Buick and started scouting locations for a day of photography, featuring the latest from Mr. Tiny's workshop.

With Mary as model, Fabian behind the lens, and Mr. Tiny as stylist and PA (I'm a whiz at holding a reflector), we found the perfect setting at Los Rios Historic District in the shadow of the Mission San Juan Capistrano.

I'm still in the beginning stages of learning to be flexible when it comes to a rigid adherence to my original color story; after so many vain searches for something that only exists in my mind, I am getting more limber - creatively speaking - with every project.  Failing to find the perfect buttercup yellow for the skirt, I settled on a green taffeta that I found for four dollars per yard (a definite splurge by wacky tacky standards).  For many, four dollars per yard is not a price too dear; in fact it might seem downright cheap; it has always been my feeling though that a guaranteed way to make inexpensive fabric look luxurious is simply to use lots and lots of it!  The peasant blouse is made from an ivory lace remnant that was a hand-me-down from my grandma, with ruffles finished in a tatted trim found at my favorite hole-in-the-wall, Mexican fabric store.

I once passed up a lot of vintage millinery flowers at a local swap meet and I kick
myself  to this day.  With my genuine distaste for most of what passes as silk florals
these days, those bygone, vintage flowers haunted me as the only things that I could
imagine affixing to the neckline.  I was surprised to find a bunch of passable, red
poppies at the craft store and cut down the stems to make my own little bouquet.

I don't know if the experience is unique to me, but I am genuinely excited about everything I sew...until the project is finished.  Once a garment has been completed, the momentum is gone.  It is then that I begin to pick apart all of the imperfections and acknowledge the astounding lack of technique.  This ensemble, however, is one of my favorite things that I've ever sewn for Mary; it probably has as much to do with the feeling that I've embraced my favorite design sensibility as it does with finally seeing a finished project fully realized in beautiful photographs.

Would you believe that the combined length of this skirt includes no less than 45 yards of fabric?!?!!
Counting the length of each tier, I figure that I gathered 135 feet of green taffeta!!!

Do you believe me now?

Well, what do you think?  Are you a fan of folk couture?  How do you think we handled our first attempt at a proper photo shoot?  I knew that good lighting, solid camera equipment, and a skilled technician would make a substantive difference from our usual last-minute, front-yard snapshots but I was not prepared for just how significant that difference would be.  I am so impressed with Mary's modeling (she apparently reserves her effort for professionals) and Fabian's camera work (a great director and visionary).

How very quickly it went from this...

...to this.

A huge thanks to my wacky tacky compatriots for making this lone wolf feel like a real collaborator!!!

Cheers!

Mr. Tiny