Saturday, June 18, 2011

Chow Time: Pann's


We're always looking for great restaurants around Southern California.  We search high and low for places with interest, history and delicious food.  Sometimes it seems that there is just nowhere to go eat.  Truth be told, Southern California is just lousy with amazing places to go grab a bite and we're spoiled with epicurean richness.  In short, southern California has a glut of eateries to indulge one's gluttony.  Among LA's gastronomic crown jewels is Pann's.  Opened in 1958, Pann's is the perfect mixture of good food, good prices and good googie!


The architectural lines of Pann's are pure atomic age.

The handles on the doors are enough to draw you in.

Pann's is the perfect 50's diner without being a "50's Diner."  Hallmarks of mid-Century, googie diners are ever present without falling into a stereotypical trap of pink & aqua color schemes.  There are no costumed waitresses to reinforce some imagined nostalgia.  There are no roller skates, no Marilyn Monroe photos and no TV's playing episodes of Happy Days.  No, you won't find the Fonz here but you will find a Pann's almost identical to the one you would have found in 1958.  Fortunately, the owners have preserved Pann's in a way that honors its history and welcomes its delicious future.

Chrome barstools are upholstered in button-tufted, white vinyl
that highlights the terrazzo floor. ("Barf-errazzo," my favorite)


A view of the dropped ceiling above the counter.
A combination of materials including rock, vinyl, formica,
laminate, chrome, wood and cork create a dynamic interior.




A row of original pendant lamps light the booths.
How about those striped venetian blinds?


I've told you many times before, I'm obsessed with light fixtures.


Atomic map in the waiting area.


Some views of the dining room:









The counter at Pann's (not to mention every other available seat)
 is usually full of satisfied diners.


 I am not a "foodie."  I LOVE to eat. I LOVE food.  I LOVE good food.  I am not not, however, an adventurous eater.  wacky tacky does not search out haute cuisine and the mere mention of "small plates," is enough to send us hightailing it to the nearest diner.  When I go out to eat, I want something delicious - not something overly thought-out or self-conscious or small.  Because I am a fatty, not a foodie, I have often already eaten the better part of the food on my plate before it occurs to me that I should have taken photos of our selections.  In this case, and just about every other, you may assume that I ordered a hamburger; trust me it is the foundation of the wacky tacky food pyramid.  Pann's is famous for their fried chicken, waffles, biscuits and grits, but their burgers are delicious!


Mary peruses the menu

A "pie-l" of cakes and pies
Try the Sock-it-to-Me Cake
(a cinnamon-walnut coffee cake on steroids)

Really, the best part of Pann's is that the food is amazing and the service is great.  It is more than a greasy spoon with cool vibe and mediocre food.  It is more than the many L.A. landmarks that feel they don't have to provide superior product or service because they have been doing the same thing for more than 60 years.  Every time we go to Pann's, the servers are friendly (not overly), helpful (without having to be asked), and professional (without being impersonal).  If we lived closer, we determined that Pann's would be our regular place.  Until then, I'm glad that it is not too close because first, I would eat (read overeat) there all the time and second, it seems more special when we go there as a treat.



Pann's
6710 La Tijera Blvd.
Los Angeles, CA
(323)776-3770

www.panns.com

Sunday-Wednesday: 7:00am - 9:00pm
Thursday-Saturday: 7:00am - 11:00pm


Cheers!

Mr. Tiny


Friday, June 17, 2011

wacky tacky goes Hollywood!

The Paley Center for Media - Beverly Hills

Just by the very skin of our teeth did we manage to see the exhibit of Debbie Reynolds' priceless collection of Hollywood history before it goes to auction tomorrow, June 18.  Okay, maybe it isn't exactly priceless (every item was marked with an estimated auction value) but imagine the feeling you'd get knowing you owned the iconic dress Marilyn Monroe wore while the subway gave her a moment of very-personal air conditioning in The Seven Year Itch - pretty priceless, I'd say.

"The" dress
The Seven Year Itch (1955)
worn by Marilyn Monroe
designed by Travilla

The crowd was densely-packed but well-behaved.

For the last few weeks, The Paley Center for Media in Beverly Hills has hosted a preview of Reynolds' collection.  As world-champion procrastinators, we - of course - waited until the last day to go.  It was an amazing experience to see the very costumes that inspired my love of costume history and design.  Pieces worn by Rita Hayworth, Lana Turner, Debbie Reynolds, Lucille Ball, Audrey Hepburn, Claudette Colbert, Julie Andrews and more were on display.  Pieces from some of my favorite movies were less than two feet from me.  Pieces from my favorite Hollywood designer, Walter Plunkett, were close enough to touch - but I refrained.  Maybe I'll do a future post on the art of self-control!

The Long, Long Trailer (1953)
worn by Lucille Ball
designed by Helen Rose

To Catch a Thief (1955)
worn by Grace Kelly
designed by Edith Head

It was a slightly-unsettling moment when Mary became giddy over the very-faint "pit stains" on the above Edith Head creation.  "Grace Kelly sweat too!"

Mildred Pierce (1945)
worn by Joan Crawford
designed by Milo Anderson

Many of the garments I recognized on sight.  I tried to remember the history of every item, but as you'll see with some of the garments featured below, I failed.  If you know the provenance of an unmarked piece, please feel free to let me know.

A Royal Scandal (1945)
worn by Tallulah Bankhead
designed by Rene Hubert

Blood and Sand (1922)
worn by Rudolph Valentino
designed by Travis Banton

Cleopatra (1934)
worn by Claudette Colbert
designed by Travis Banton/Vicki Williams

detail of the bust/neckline

The jewel in this collection's crown, in my opinion:

My Fair Lady (1964)
worn by Audrey Hepburn
designed by Cecil Beaton

Oh yeah, she's got the hat too.  It was Ascot!
We're pretty sure Audrey Hepburn farted in that dress...

Meet Me in St. Louis (1944)
worn by Mary Astor
designed by Irene Sharaff

Meet Me in St. Louis (1944)
Nightgown worn by Margaret O'Brien
Party dress worn by Judy Garland
designed by Irene Sharaff

The costumes for Singin' in the Rain were designed by Walter Plunkett who designed many, many Hollywood classics including Gone With the Wind and Pollyanna.

Singin' in the Rain (1952)
worn by Gene Kelly & Donald O'Connor
designed by Walter Plunkett

Singin' in the Rain (1952)
worn by Debbie Reynolds
 designed by Walter Plunkett

The green frock is definitely one of my favorites!

Singin' in the Rain (1952)
worn by Jean Hagen
designed by Walter Plunkett

The Littlest Rebel (1935)
worn by Shirley Temple
designed by Gwen Wakeling

Gentlemen Prefer Blondes (1953)
worn by Marilyn Monroe
designed by Travilla

 Lana Turner                            Deborah Kerr

Miracle on 34th Street (1947)
worn by Maureen O'Hara...
just checking to see if you're paying attention
worn by Edmund Gwen
designed by Mrs. Claus


Annie Get Your Gun (1950)
worn by Betty Hutton
designed by Walter Plunkett/Helen Rose

 The Unsinkable Molly Brown (1964)
worn by Debbie Reynolds
designed by Morton Haack

Salome (1953)
worn by Rita Hayworth
designed by Jean Louis
Cover Girl (1944)
worn by Rita Hayworth
designed by Travis Banton

The Barkleys of Broadway (1949)
worn by Ginger Rogers
designed by Irene

Gaslight (1944)
worn by Ingrid Bergman
designed by Irene

The Wizard of Oz (1939)
worn by Judy Garland
designed by Adrian
The backside of Dorothy! A rough draft for the final costume.


The Wizard of Oz (1939)

worn by Eleanor Powell
designed by Adrian
completely covered in silver, bugle beads

No Man of Her Own (1932)
worn by Carole Lombard
designed by Travis Banton

Susan Hayward

The Virgin Queen (1955)
worn by Bette Davis
designed by Charles LeMaire/Mary Wills


Gone With the Wind (1939)
worn by Clark Gable
designed by Walter Plunkett

The collection consists of more than just costumes.  Reynolds has amassed many pieces of ephemera, artifacts, and art by, about, and for Hollywood heavyweights.  Here are but a few.

Monkey Business (1952)
Roadster driven by Cary Grant & Marilyn Monroe

Harpo's Hat!!

A painting of Marion Davies by Frederico Beltran Masses

A more thoughtful, conscientious blogger would have posted all the details weeks ago so those who were unaware of the event could have gone.  Being the very mean-spirited, thoughtless person that I am, I will just tell you that if you missed this, you missed a GREAT thing!!  As many of these gems will be sold off to private collectors, it is not only the last time they will be seen together, it may be the last time that they are ever seen publicly!  Surprisingly, not all of the estimates seemed outrageous.  We'll have to wait until tomorrow to see how it all plays out.  The infamous dress featured below has an auction estimate of $1-2 million - well worth it at twice the price!!!

The Seven Year Itch (1955)

Cheers!

Mr. Tiny (Hollywood Square)